The opening ceremony of the Summer Olympic Games provides the opportunity for the host country to revel in a sense of national pride and celebrate its unique history and traditions.
Any jokes about cowardice or cheese-loving aside, France undeniably occupies a position as one of the pillars of Western civilization, with monumental contributions to literature, art, and science. Drawing upon a rich history and culture, it had the chance to show the world a vibrant and resilient nation ready to thrive in the 21st century, especially after a chaotic election earlier in July.
Instead, France decided to showcase the gender madness and degeneracy that are slowly but surely eroding the West.
Last week’s opening ceremony in Paris subjected tens of millions of people to a freakshow version of Leonardo da Vinci’s “The Last Supper,” featuring transgender performers and a Blue Man Group version of Dionysus, the Greek god of wine and debauchery. Some viewers quickly pointed out the inexplicable presence of a child amidst this gender bacchanal.
The lesbian DJ and activist who occupied the same position as Jesus in the iconic painting, aptly named Barbara Butch, called the scene the “New Gay Testament.”
After global backlash, Olympic officials have scrambled to gaslight the audience, insisting that any similarity to “The Last Supper” was “completely unintentional” and that “there was never any intention to show disrespect towards any religious group or belief.”
Not only are those excuses obviously false to anyone with even a passing familiarity with Christian symbolism and
