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Instead Of Whining About The Woke Emmys, The Right Should Get Behind Better Films

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Another Emmy season has come and gone. This year’s winners and nominees are once again a sweeping validation of the left-leaning Ford Foundation’s strategy to sponsor and cultivate progressive films and filmmakers.

The Ford Foundation’s biggest winner this season, “Going to Mars: The Nikki Giovanni Project,” an artsy biopic about a poet and activist, won a creative arts Emmy for “exceptional merit in documentary filmmaking.” The film’s producers, husband-wife duo Michèle Stephenson and Joe Brewster, received six Ford Foundation grants for the project, totaling $310,000, according to their public grants database

But Ford’s success this award season extends far beyond this individual film: The foundation has its fingerprints on many of the most esteemed and successful documentaries — from the films themselves to the training and education of the filmmakers who created them.

Cinema’s slow march to the left, from the golden years of John Ford’s pro-American westerns and dramas of the 1950s to the politically correct superheroes of today, did not happen by accident. Like all left-wing institutions, “woke Hollywood” is supported by a vast network of progressive foundations, nonprofit organizations, and public funding. The entire film ecosystem, from film training programs to festivals, awards, direct funding, and advocacy, lifts all boats in the media and entertainment space, bringing us everything from the Hollywood movies and actors we know and love to the advocacy-oriented independent films and documentaries that slowly move the needle on the culture. At the moment, that ecosystem is controlled almost entirely by left-leaning funding, chiefly

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‘Finish The Job’: DOJ Publishes Bounty Offer From Latest Would-Be Trump Assassin

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Prosecutors for the U.S. Department of Justice released a letter, allegedly penned by the man arrested for attempting to assassinate former President Donald Trump as he golfed in West Palm Beach last week, which offers a $150,000 reward to anyone who could “complete the job” of murdering the Republican candidate.

“This was an assassination attempt on Donald Trump but I am so sorry I failed you,” the letter addressed to the “World” reads. “I tried my best and gave it all the gumption I could muster. It is up to you now to finish the job; and I will offer $150,000 to whomever can complete the job.”

The alleged author of the letter, Ryan Routh, attributed Democrat and corporate media rhetoric painting Trump as “unfit to be anything, much less a US president,” as motivation for his crime. He also blamed Trump’s decision to cut ties with Iran as the primary reason the “Middle East has unraveled.”

“U.S. presidents must at bare minimum embody the moral fabric that is America and be kind, caring and selfless and always stand for humanity,” Routh wrote, noting that “Trump fails to understand.”

According to court papers, Routh dropped off the letter in a package with an unnamed person “several months prior” to the golf course assassination attempt. It wasn’t until days after Routh’s arrest, however, that the “civilian witness” reportedly first opened the box containing “ammunition, a metal pipe, miscellaneous building materials, tools, four phones, and various letters” and alerted authorities.

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PBS Propaganda Show ‘Deadlock’ Frames People Concerned About Elections As Nutters

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If the PBS television special, “Deadlock: An Election Story” really wanted to have a conversation about how politically polarized Americans can find common ground, it should have had more political diversity on its panel.

“The current climate of American discourse finds us deeply entrenched and overconfident in our own beliefs,” said moderator Aaron Tang, a left-leaning law professor at the University of California-Davis said in a statement promoting the show. “Deadlock aims to illuminate how, for many of the difficult challenges facing our nation, the honest answers are nuanced and complex. Our goal is to spark open-mindedness and help people find the middle ground instead of retreating to our usual corners.”

But the show retreated the usual corners for two reasons: the premise of the discussion had a left-leaning tone, and the discussion featured mostly Democrats or left-leaning panelists, including:

Rachel Bitecofer, a Democratic political strategist;  Adrian Fontes, the Democrat Arizona secretary of state;  left-leaning Eddie S. Glaude, Jr., the James S. McDonnell professor of African American studies at Princeton University;  left-leaning Astead Herndon, a national politics reporter at The New York Times; Democrat Jeh C. Johnson, former secretary of Homeland Security and former general counsel to the Department of Defense;  Elise Jordan, of NBC/MSNBC, an anti-Trump political analyst; Katie Harbath, a Republican who has said she never voted for Trump and a former Facebook executive who supported the decision to ban Trump from the platform; Russell Moore, editor in chief of Christianity Today and well-known author of

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How Democrats Are Grooming Assassins To Take Out Trump

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There have been many calls for lowering the temperature between the first assassination attempt against Donald Trump on July 13, 2024, and the second on Sept. 15, 2024. Yet only two hours after last week’s attempt on Trump in Florida, House Minority Leader Hakeem Jeffries lambasted “extreme MAGA Republicans,” saying “We must stop them,” leaving listeners to guess to whom he referred and how “they” should be stopped.

It’s part of a constant pattern since Trump emerged on the political scene, starting with assassination fantasies with “the resistance,” continuing through the Russian collusion hoax, and aided by protective agencies’ refusal to secure conservative figures.

It’s not just the typically aggressive political rhetoric. Leftists have openly engaged in direct assassination fantasies for years. A conspicuous movement to dehumanize one particular person in America has continuously expanded since early 2016, when “the resistance” formed. Madonna infamously proclaimed, “I have thought an awful lot about blowing up the White House,” signaling the cultural zeitgeist controllers would wage a no-holds-barred siege against Trump.

Kathy Griffin followed in kind, publicizing an image of herself holding Trump’s dripping severed head. Shortly afterward, nightly showings of Shakespeare’s Julius Caesar in New York’s Central Park were capped by the assassination of an unmistakably Trumpian Caesar. Feelers for assassination were going out.

As of 2017, “the resistance” could claim, consequence-free, that Trump deserved anything he got, up to and including murder. The cultural left intended to not only marginalize Trump, but also to fully demonize and dehumanize him. The

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